With so much talk recently about John Oswald's writing about music, how about the music itself. Here is the defining Plunderphonics track. A thorough and multi-faceted recombination of Michael Jackson.
[This is on the compilation Plunderphonics 69/96. The whole thing is incredible—exhausting, but incredible.]
Showing posts with label plunderphonics. Show all posts
Showing posts with label plunderphonics. Show all posts
Monday, February 22, 2010
Monday, February 8, 2010
Plunderphonics
"Musical instruments produce sounds. Composers produce music. Musical instruments reproduce music. Tape recorders, radios, disc players, etc., reproduce sound. A device such as a wind-up music box produces sound and reproduces music. A phonograph in the hands of a hip hop/scratch artist who plays a record like an electronic washboard with a phonographic needle as a plectrum, produces sounds which are unique and not reproduced—the record player becomes a musical instrument. A sampler, in essence a recording, transforming instrument, is simultaneously a documenting device and a creative device, in effect reducing a distinction manifested by copyright." —John Oswald, "Plunderphonics, or Audio Piracy as a Compositional Prerogative"
Today's required reading.
Today's required reading.
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